Daughter of Heaven: A Memoir with Earthly Recipes
Author: Leslie Li
Now in paperback, the powerful, touching memoir of a Chinese-American woman, in which taste becomes the keeper of memory and food the keeper of culture when Nai-nai, her extraordinary grandmother, arrives from mainland China.
Author Biography: Leslie Li is the author of Bittersweet: A Novel and coauthor of Enter the Dragon, a book of children's plays based on Chinese folktales. She has written for various publications, including the New York Times, Gourmet, Saveur, and Travel & Leisure. She divides her time between New York City and Vermont.
Publishers Weekly
Like an amuse bouche, each vignette in Li's memoir tantalizes with a taste of Li's life as a Chinese-American in suburban New York, leaving readers longing for more delicious tidbits. Li chronicles incidents in her life from her 1950s childhood to her grandmother Nai-Nai's centenary in Guilin, China, in the 1980s. The essays lyrically show the tension in Li's family between her father and mother, between herself and her father, and most of all, between Li's American ways and her Chinese history. Li uses the food of her family to tell her stories: "At a Chinese table," she writes, "it's the unspoken words that count. The meal is the message." A silent meal with her Chinese-born father speaks more of the disintegration of her parents' marriage than explication could. She writes, "I... didn't want him to have to eat alone, not when my parents' marriage was dissolving, like the pierced egg yolk seeping and disappearing into his noodles." The prose comes most alive when Li focuses on Nai-Nai, who lived with the author's family for 15 years when Li was young. Leaping decades ahead, Li returns to China to visit her senile grandmother, and she begins to try to reconstruct Nai-Nai's life. The focus shifts as Li begins writing her novel, Bittersweet, and she includes some of her conjecture about the years her grandmother spent in the U.S. While readers may wish for yet more stories of Nai-Nai and of Li herself, the book is more than satisfying, and the mythical ending (Li recounts a fable of her own) is haunting. Agent, Joanne Wang. (May) Copyright 2005 Reed Business Information.
Kirkus Reviews
A Chinese-American daughter recalls the kitchen and its chores as a safe haven from the tensions within a family trying to assimilate while maintaining traditional values. It's not news that ethnic cooking forges a vital link to one's cultural heritage in the turmoil of the American melting pot. But Li (Bittersweet: A Novel, 1992), whose paternal grandfather was the first elected president of Nationalist China, conveys surprising depth of feeling in her description of food's impact on her upbringing. Though she begins with a somewhat self-absorbed series of girlhood recollections, the narrative quickly picks up steam with the arrival from China of her grandmother to put at least the culinary side of the house in order. Watching the aging Nai-nai sharpen her cleaver "with the single-mindedness of an axe murderer" on the flagstone porch of their suburban north Bronx home or dodging traffic to access the vegetable garden she has installed on the median of a nearby expressway, the author begins to plumb the relationship of food preparation to the integrity of a Chinese household. Knowledge is imparted with every meal. The painstaking shaping and even tinting of New Year's holiday bread to resemble a peach, for example, evokes that fruit's connotation of longevity, although the fiercely pragmatic Nai-nai suggests that eating the peach itself would probably be better for the teeth. Authentic recipes from Nai-nai and others appear at the end of most chapters. Some seem at first starkly minimalist, but American cooks who think they know their way around a wok may find themselves realizing they've never tried it exactly that way. (One surprisingly recurrent ingredient: brown sugar.) It's anunusual format, but the author artfully blends episodes of gastronomic education with often poignant recollections of a stern father who could never quite bridge the cultural divide between himself and an essentially American daughter. An engaging family portrait enriched by an insider's view of the Chinese kitchen. First printing of 30,000
New interesting book: Migraines for Dummies or Pocket Guide to the 12 Steps
Black Hunger: Soul Food and America
Author: Doris Witt
In 1889, the owners of a pancake mix witnessed the vaudeville performance of a white man in blackface and drag playing a character called Aunt Jemima. This character went on to become one of the most pervasive stereotypes of black women in the United States, embodying not only the pancakes she was appropriated to market but also post-Civil War race and gender hierarchies-including the subordination of African American women as servants and white fantasies of the nurturing mammy.Using the history of Aunt Jemima as a springboard for exploring the relationship between food and African Americans, Black Hunger focuses on debates over soul food since the 1960s to illuminate a complex web of political, economic, religious, sexual, and racial tensions between whites and blacks and within the black community itself. Celebrated by many African Americans as a sacramental emblem of slavery and protest, soul food was simultaneously rejected by others as a manifestation of middle-class black "slumming." Highlighting the importance of food for men as well as women, Doris Witt traces the promotion of soul food by New York Times food writer Craig Claiborne and its prohibition by Nation of Islam leader Elijah Muhammad and comedian turned diet guru Dick Gregory. A discussion of cookbook author Vertamae Grosvenor, who distanced herself from the myth of plantation mammy by reimagining soul food as "vibration cooking," sets the stage for Witt's concluding argument that the bodies and appetites of African American women should be viewed as central to contemporary conversations about eating disorders and reproductive rights. Witt draws on vaudeville, literature, film, visual art, and cookbooks to explore how food has been used both to perpetuate and to challenge racial stereotypes. Raising her fist in a Black Power salute, wielding her spatula like a sword, Aunt Jemima steps off the pancake box in a righteous fury. Doris Witt is associate professor of English at the University of Iowa.
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